#Academy award for best supporting actress series
The movie, though, is a rickety vehicle, one that my colleague Hilton Als called “interminable,” with Day striking “a series of postures and imitative voice techniques that serve only to further etch the image of junkie mess into this portrait of a great artist who changed an art form.” Could a portrait of an iconic singer as a tragic, strung-out mess win a Best Actress Oscar? Easily. The pairing of actress and subject feels fated-Day, a recording artist, took her stage name from Holiday’s moniker, Lady Day-and her mimicry of Holiday’s plangent warble is convincing. Speaking of legendary blues singers and the women who play them, there’s the formidable Andra Day, who won a Golden Globe for her performance in Lee Daniels’s bio-pic. Her recent victory at the SAG Awards shows that it could happen this year.Īndra Day, “The United States vs. “All they want is my voice.” Davis is a volcanic talent who should have a Best Actress award on her mantle. “They don’t care nothing about me,” Ma Rainey says of the men who pan her artistry for profits. Smeared in makeup, sweat, and world-weary glamour, she plays against type as a star clinging to every bit of leverage that she can muster during a 1927 recording session. Wolfe’s film, Davis stands in nobody’s shadow. As the blues singer Ma Rainey, in George C.
Photograph by David Lee / Courtesy Netflixįour years ago, Davis won an Oscar for playing another August Wilson heroine, the beleaguered suburban wife in “Fences.” But, controversially, she was in the Supporting Actress category, a reflection less of the role’s size than of a woman’s place in a man’s story-and of Oscar politicking. Below, a closer look at this year’s actress races, both of which are unusually wide open. Billie Holiday”? And what if Glenn Close, an eight-time nominee and zero-time recipient (who knows from bunnies), had won two years ago, for “The Wife,” as was widely predicted, instead of Olivia Colman, for “The Favourite”? Would the calculus change now that both women are in the Best Supporting Actress category? The alternate universes multiply like rabbits. Had Frances McDormand not won Best Actress for the forgettable “Three Billboards Outside Ebbing, Missouri,” in 2018, would she now be a lock for “Nomadland”? If Diana Ross had won for playing Billie Holiday, in 1973, in “Lady Sings the Blues,” would Andra Day have gained such momentum for playing the same role, in “The United States vs. The what-ifs are dizzying to contemplate, even considering just this year’s nominated actresses. Now she should get it next year when someone else may deserve it.”ĭavis’s Bunny Theory has held firm: sometimes people win for the wrong movie, or lose for the right one, causing chain reactions that can last for decades. These mistakes compound each other like the original lie that breeds like a bunny. “It was true that even if the honor had been earned, it had been earned last year,” she wrote in her book “ The Lonely Life.” “There was no doubt that Hepburn’s performance deserved the award. When Davis won anyway, she knew in her heart that it was a consolation prize.
Now she was up against Katharine Hepburn, for “Alice Adams,” who even Davis believed had given the best performance of the year. Like many in Hollywood, she felt that she should have won for “Of Human Bondage,” the previous year, when her lack of a nomination was so shocking that there was a write-in campaign.
#Academy award for best supporting actress movie
Back in 1936, Bette Davis was nominated for a Best Actress Oscar for “Dangerous,” a movie she found “maudlin” and beneath her talents.
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